It should be noted that with all the advancements in video technology, film seems to be nearing the end of its legacy. At least, that is what many in the digital video revolution would like you to believe. But they have been giving this line for many years and yet film has survived, mostly for one reason: Film Is The Standard. Everyone wants their movie to look like it was shot on film, even if it wasn't, simply because film looks better. It has a timeless essence to it, a surreal look. However, if you cannot afford to shoot film, then go with video. The success of your movie will depend more on the story than on the medium it was shot in. With that said, this lesson will focus on film as the standard in motion picture production.
IMPORTANT POINTS:
- The key to great photography is having something interesting to photograph. Beautiful sets and wardrobe are as essential to cinematography as are the elements of lighting, camera work, and actor performance.
- Everything in photography can be measured in doubles and halves, most prevalent in the standard measurement called stops. An increase of one stop equals double the amount of light; an increase of two stops equals four times the amount of light; a decrease of one stop equals half the amount of light; a decrease of two stops equals a 75% decrease in the amount of light.
- Never use the light meter installed in the camera itself. Purchase a good incident light meter. Own a spot meter too if you have the funds. Learn to use them proficiently by practicing with your 35mm SLR camera. During the production shoot it is best to have a backup incident meter in case the other fails or is damaged. Be sure to test the accuracy of each meter with still 35mm film. (See 'Using a Light Meter' under Lighting the Set)
- Double-check everything dealing with both camera and lighting before rolling film. You do not want a great shot of a great performance to be ruined because you ignored a simple detail.
- When shooting film, your goal is to produce the highest quality negative possible, by getting every element of the exposure exactly as you desire. Do NOT depend on the lab to fix your mistakes later!
- Finally, remember the elements you control: light intensity, direction, dispersion, and color; the focal point and the depth-of-field around the focal point; the film rate-of-speed as it roles through the camera (fast/slow motion); and the composition of the shot itself (framing/camera moves).
Learn more about color temperature, tungsten, HMI, and natural light, as well as the difference between film speeds and aspect ratios. Learn the proper use of filters and gels, the qualities of different lenses, as well as tricks to reducing grain in 16mm blow-ups to 35mm prints. Order "The Old School Film School" today.
Next Lesson: Film Stocks & Light
