By NIGEL ANDREWS | FINANCIAL TIMES
Citizen Kane is 70. Three score years and 10 after its New York premiere in May 1941, it is still everywhere. Not just in its own flesh, as reissue, telecast or DVD, but in the monstrous spell it casts on filmmakers.
It storms after us down the corridors of history like its own hero. Bloated, grotesque, tremendous; destroying as it goes; influencing and renewing too. Every fresh decade calls it the best film ever made. Every new generation poses and tries to answer the question, "Why?"
